By now you’ve probably got a pretty good idea where I’m going with my queries. (Progressively better with each version, but still not quite “there.”)
This particular version netted me requests (both partial and full) from several agents. It’s better, but it’s still lacking.
Though your website lists that you are currently closed to queries, I saw your recent tweet about opening to queries that match your MSWL. As such, I hope to interest you in TARROWBURN, a YA alternate world fantasy featuring a mystery of otherworldly proportions and a headstrong female protagonist with the power to solve it.
At 18, Moreina di Bianco is a young healer who believes in medicine, not magic, even while possessing a second sight she can’t fully explain. So when a talisman and a thousand-year-old prophecy choose Reina to reawaken an ancient magic and find a way to end a war, she must reconcile her beliefs and learn to control the magic. Reluctant to accept help, Reina’s only company on her journey is her estranged and mysterious childhood friend, Quinn D’Arturio, and a dashing captain who claims to be her protector. There’s just one problem with her new companions. They, too, are featured in the prophecy. But what woman wants a suitor, let alone two, when she’s busy defeating an evil general, ending a war, finding the true king, and rightfully seating him on the throne?
Tarrowburn, a 100,000 word, “chosen one” fantasy is the second novel I’ve completed, but the first I’ve written with the intention of doing something other than stashing in a desk drawer. While I have degrees in subjects completely unrelated to creative writing, writing has long been my true passion. Growing up, I was strongly influenced by the world-building talents of Anne McCaffrey and C.S. Friedman and quickly fell in love with both dragons and magic. Though it is a stand-alone novel, Tarrowburn is meant to be the first of a trilogy. Comparable titles for Tarrowburn might include Throne of Glass by Sarah J. Mass, White Hart by Sarah Dalton, or The Forgetting by Sharon Cameron. As requested, I have included a synopsis and the first ten pages of my manuscript below. I would be happy to provide you with a partial or full manuscript upon request. Thank you for your time, and I hope to hear from you soon.
L. Ryan Storms
The Things I Did Right:
Hey! I’ve finally managed to remember to use all caps on my title! That only took two full years. (Did you notice that my title changed? My word count is also up again…) Also, I’ve directly addressed why I’ve chosen to send to this agent. She specifically had an item on her Manuscript Wish List that matched what I had written.
Notice that my summary paragraph is much more concise now, that I’m not bumbling around about how Reina likes being alone and misses home. Sure, those things might still be a part of the story, but they were never the focus and shouldn’t have been included in the query at all.
I’ve now listed what kind of fantasy I’m writing. It’s a “chosen one” tale. That being said, it’s also a “hero’s journey” (heroine’s journey?), and an alternate-world fantasy, so it fits into more than one tiny niche.
I’ve used comp titles that are more within the scope of my novel, other books that include kick-ass, teenage heroines who generally don’t take any crap from anyone.
Things I Didn’t Quite Do Right (Also known as Things I Did Wrong):
My first paragraph is wrapped up pretty well, but I’ve been told that, “I hope to interest you in TARROWBURN,…” doesn’t relay confidence. One reviewer told me that they thought I sounded like a waitress in a fancy restaurant, trying desperately to pitch the night’s special. “I hope to interest you in this evening’s special dish of braised beef tips served over egg noodles in a delightful mushroom sauce, with a side of steamed broccoli lightly drizzled in garlic butter.” (Now I’m just hungry.)
Another told me that I sounded almost like a used-car salesman. (Shudder!) And a third said that she understood what I was going for (humble and polite), but that it sounded instead as though I doubted my own work. Yikes, that definitely isn’t what I want agents to think!
My second paragraph is better at summing up the story, but still hasn’t quite relayed the stakes or the urgency in its entirety. I think I’ve done a better job of that in my most recent query, but we’ll get to that later. Someone pointed out that I mention both companions are featured in the prophecy, but I don’t say how. I assumed that my next sentence, “But what woman wants a suitor, let alone two…” made that connection clear, but sometimes it’s easier to make a connection when you already know what’s going on. It’s not nearly as simple when you aren’t already in the loop on the particulars of the story.
I’m guilty of having a bit of amnesia in my last paragraph. I’ve forgotten (again) to put the title of my work in caps. (Twice, in fact.) You’ll notice my word count went up again. I did a little more world-building as I revamped the book and brought it into the YA realm where it belonged.
While I finally used the right kind of comp titles, I’ve used entirely too many of them. I’ve also done something that can be seen as a bit pompous (which is ironic, given my “humble” opening). I’ve used a best-selling series as my first comp title. Agents don’t necessarily advise against this, but if you’re going to use a bestseller, be sure that your work really does match the voice/setting/characters of a book you are comparing it to. (I would definitely advise against using Harry Potter, Twilight, and the Hunger Games as your comp titles together! Nothing screams “cocky” like using three separate bestselling titles with extended movie series.) This is why I also chose lesser known titles as my other comps.
Additionally, it’s worth noting that if you’re going to use comp titles, use more recent books. It shows that you read within your genre and that you’re familiar with what the genre currently offers.
I also don’t need to say what authors really got me into my love of of the fantasy genre. While it’s good information and might show my style a bit, it doesn’t really mean anything in the long run and it’s something that I could always discuss at a later date. Again, the agent wants to know about my book, not about me and my loves.
So this query is better and it did get me several requests for manuscript reads from agents. But I still think I can improve, and as I’ve taken on the challenge of submitting to PitchWars, I’ve decided to rework it again. That’s a post for another day!
Anne McCaffrey’s dragons (and Michael Whelan’s artwork) will always be one of my first fantasy loves!
One thought on “Querying (Part III)”
Wow! What a difference between your first query! I like how you changed your personal information. Doesn’t include too many specifics and has a tiny bit of your humour 🙂
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