Fakers, Bakers, and Music Makers – Bonding via Unforgettable Characters

How do you sum up a weekend adventure that had approximately 865,342 high points?

I’m not sure I can, but I’ll at least attempt to highlight a few moments that made my time at the #UCIJretreat2021 amazing and memorable and oh-so-worth-it. (That’s Unforgettable Characters & Incredible Journeys, in case you were wondering.)

A few months ago, author Ralph Walker put out a call for writers. The response was overwhelming, and RW successfully arranged a virtual retreat via Zoom for 20 lucky writers to learn plotting techniques and how to dive deep when it comes to creating memorable characters. In the retreat’s inaugural weekend, writers from all walks of life and all stages of writerhood (Is that a word? It is now.) gathered in their Brady Bunchesque Zoom boxes to talk craft, brainstorm, laugh, and have a good time.

I’m happy to report I was one of those lucky writers. One might wonder: How much can a writer learn from…other writers? The answer is a lot. The thing about writing is that there’s never a time you’re done learning. There’s never a point where a writer can say they’ve mastered the craft so expertly that there’s nothing more to be learned from others. (I guarantee you this is still the case even for Stephen King and Nora Roberts. I promise they, too, can still learn. Knowledge is like Thanksgiving dinner. You may think you’re full, but there’s always room for dessert.)

Plus, friends. Who doesn’t want new friends!? So many writers I’d known via Twitter, but had never gotten to actually know on a more intimate level, and now I had the opportunity! And they write everything. I followed along with characters from everywhere and anywhere (hence the title of this post) and what a ride it was. I fell into so many amazing worlds and so many raw emotions.

To read the words of a fellow writer is a special gift. It’s an invitation into a person’s soul, into their world, into a special place in their heart, and no one who reads a writer’s words should take that honor lightly. I am so very grateful to have been trusted with the words of so many kindred spirits.

As you might have guessed by the name of the retreat, the weekend encompassed creating unforgettable characters and incredible journeys. We discussed what makes a character unforgettable and how to take a reader on a journey with all its rollercoaster twists and turns while still providing an explosive ending that delivers.

And the swag! Did I mention the swag? A box full of goodies and treats, writer fuel (coffee and tea), a #5amwritersclub mug, stickers, and an organized binder chock full of information. It’s clear RW put a lot of work into this retreat, and how grateful I was to have been on the receiving end of it!

Plus, secret envelopes. Did I mention the secret envelopes? RW is a master at the secret envelopes and they were filled with…

Wait.

…if I tell you, they won’t be secret anymore. I guess you’ll just have to apply for the Fall 2021 UCIJ Retreat to find out.*

Bonded by a shared retreat. Love these faces!

*Seriously, do it.

The Benefits of Friendship

I head one of the local SCBWI critique groups in my county for Young Adult and Middle Grade authors and, friends, I must confess I feel a little guilty. Sometimes, this group seems like the L. Ryan Storms writing self-improvement hour. I get SO. MUCH. from my dear friends and our talks about what elements make a piece work or why a certain chapter maybe doesn’t work.

Is it difficult? It can be. It was definitely more difficult in the beginning when I realized I’d never shared my work in person before. (Also, I’m an introvert. Did I ever mention that? Once or twice maybe?) But as time went on, my nervousness disappeared and I began to look forward to the feedback offered to me by these kindred spirits who shared my love of stories and all things story-related.

Our group is fairly easygoing when it comes to the rules, but the general idea is:

Share your work if you have something to share. Give useful, critical feedback on others’ work (no breaking spirits allowed). And brainstorm together when it comes to what we like about a piece, who the audience is, where we think the storyline should go, or how the author can make it better.

I have been so very lucky to know such talented, thoughtful individuals who are willing to read a chapter of my work each month and tell me all the things I need to hear. The good things. The not-so-good things. Because without them, I’d be lost when it comes to catching my crutch words and phrases, my overused actions, my annoying, sarcastic main character (who is a bit of a bitch, tbh), her tendency to overreact from time to time, and the annoying boy love interest who, honestly, isn’t mad enough at the world around him when he should be.

I digress. Without my dear SCBWI group, I’d be lost. I interact with at least a few “lost” writers on Twitter every week, those who aren’t sure if their material works, who feel like they’re embarking on this crazy journey alone, who cry and threaten to never write again, who fear they’ll never be as good as, as talented as, as successful as… (insert famous author name here).

My biggest advice to them is:

Find your people.

There’s so much more to explore in the craft when you do it together. There’s so much more to learn, to unravel, to dissect and put back together when you have a posse. Find your posse. Find your people. When you do, the possibilities open wide.

But Storms, how do I find my people?

Good question. For me, the answer was partially on Twitter, where I interacted with strangers who became friends over the course of both time and multiple in-person meetups and conferences. And the answer was also to join a professional organization like SCBWI to interact with others who were writing in the same age categories. I attended a meet-up or two, met a few members, volunteered to start my own critique group because none of the times/days of the other groups worked for me, and met even more amazing writers at all stages of the game.

Some were traditionally published, some independently published, some agented, some querying, some just beginning to test the waters by admitting publicly (gasp!) that they write. And therein lies the beauty of the writing community. I’ve never met a community so open – so willing – to help others along the way.

The answer is not necessarily to join SCBWI. (Though I would argue that this move is infinitely beneficial in ways too numerous to count. If you write for children or young adults, join SCBWI. Do it.) There are dozens of other professional writing organizations out there. The key is to find what works for you and jump in, whether you think you’re ready or not.

Keep learning, keep growing, keep reaching out to writers you know and writers you don’t. Read works by published authors. Beta-read manuscripts for unpublished authors. Offer valuable feedback, and get feedback on your work. Writing is a lonely craft, but it doesn’t have to be a lonely life. Friends are everywhere. Just hit that ‘Follow’ button.*

Look at all those amazing writers (and readers)!

*Okay, for real, only follow writers you want to interact with. Don’t follow creepers. Don’t follow horrible people. Don’t follow people who look like they will DM you ‘hi pretty lady.’ Don’t follow bots. Don’t follow everyone for the sake of numbers. Find your people. Now go!