Fakers, Bakers, and Music Makers – Bonding via Unforgettable Characters

How do you sum up a weekend adventure that had approximately 865,342 high points?

I’m not sure I can, but I’ll at least attempt to highlight a few moments that made my time at the #UCIJretreat2021 amazing and memorable and oh-so-worth-it. (That’s Unforgettable Characters & Incredible Journeys, in case you were wondering.)

A few months ago, author Ralph Walker put out a call for writers. The response was overwhelming, and RW successfully arranged a virtual retreat via Zoom for 20 lucky writers to learn plotting techniques and how to dive deep when it comes to creating memorable characters. In the retreat’s inaugural weekend, writers from all walks of life and all stages of writerhood (Is that a word? It is now.) gathered in their Brady Bunchesque Zoom boxes to talk craft, brainstorm, laugh, and have a good time.

I’m happy to report I was one of those lucky writers. One might wonder: How much can a writer learn from…other writers? The answer is a lot. The thing about writing is that there’s never a time you’re done learning. There’s never a point where a writer can say they’ve mastered the craft so expertly that there’s nothing more to be learned from others. (I guarantee you this is still the case even for Stephen King and Nora Roberts. I promise they, too, can still learn. Knowledge is like Thanksgiving dinner. You may think you’re full, but there’s always room for dessert.)

Plus, friends. Who doesn’t want new friends!? So many writers I’d known via Twitter, but had never gotten to actually know on a more intimate level, and now I had the opportunity! And they write everything. I followed along with characters from everywhere and anywhere (hence the title of this post) and what a ride it was. I fell into so many amazing worlds and so many raw emotions.

To read the words of a fellow writer is a special gift. It’s an invitation into a person’s soul, into their world, into a special place in their heart, and no one who reads a writer’s words should take that honor lightly. I am so very grateful to have been trusted with the words of so many kindred spirits.

As you might have guessed by the name of the retreat, the weekend encompassed creating unforgettable characters and incredible journeys. We discussed what makes a character unforgettable and how to take a reader on a journey with all its rollercoaster twists and turns while still providing an explosive ending that delivers.

And the swag! Did I mention the swag? A box full of goodies and treats, writer fuel (coffee and tea), a #5amwritersclub mug, stickers, and an organized binder chock full of information. It’s clear RW put a lot of work into this retreat, and how grateful I was to have been on the receiving end of it!

Plus, secret envelopes. Did I mention the secret envelopes? RW is a master at the secret envelopes and they were filled with…

Wait.

…if I tell you, they won’t be secret anymore. I guess you’ll just have to apply for the Fall 2021 UCIJ Retreat to find out.*

Bonded by a shared retreat. Love these faces!

*Seriously, do it.

The Benefits of Friendship

I head one of the local SCBWI critique groups in my county for Young Adult and Middle Grade authors and, friends, I must confess I feel a little guilty. Sometimes, this group seems like the L. Ryan Storms writing self-improvement hour. I get SO. MUCH. from my dear friends and our talks about what elements make a piece work or why a certain chapter maybe doesn’t work.

Is it difficult? It can be. It was definitely more difficult in the beginning when I realized I’d never shared my work in person before. (Also, I’m an introvert. Did I ever mention that? Once or twice maybe?) But as time went on, my nervousness disappeared and I began to look forward to the feedback offered to me by these kindred spirits who shared my love of stories and all things story-related.

Our group is fairly easygoing when it comes to the rules, but the general idea is:

Share your work if you have something to share. Give useful, critical feedback on others’ work (no breaking spirits allowed). And brainstorm together when it comes to what we like about a piece, who the audience is, where we think the storyline should go, or how the author can make it better.

I have been so very lucky to know such talented, thoughtful individuals who are willing to read a chapter of my work each month and tell me all the things I need to hear. The good things. The not-so-good things. Because without them, I’d be lost when it comes to catching my crutch words and phrases, my overused actions, my annoying, sarcastic main character (who is a bit of a bitch, tbh), her tendency to overreact from time to time, and the annoying boy love interest who, honestly, isn’t mad enough at the world around him when he should be.

I digress. Without my dear SCBWI group, I’d be lost. I interact with at least a few “lost” writers on Twitter every week, those who aren’t sure if their material works, who feel like they’re embarking on this crazy journey alone, who cry and threaten to never write again, who fear they’ll never be as good as, as talented as, as successful as… (insert famous author name here).

My biggest advice to them is:

Find your people.

There’s so much more to explore in the craft when you do it together. There’s so much more to learn, to unravel, to dissect and put back together when you have a posse. Find your posse. Find your people. When you do, the possibilities open wide.

But Storms, how do I find my people?

Good question. For me, the answer was partially on Twitter, where I interacted with strangers who became friends over the course of both time and multiple in-person meetups and conferences. And the answer was also to join a professional organization like SCBWI to interact with others who were writing in the same age categories. I attended a meet-up or two, met a few members, volunteered to start my own critique group because none of the times/days of the other groups worked for me, and met even more amazing writers at all stages of the game.

Some were traditionally published, some independently published, some agented, some querying, some just beginning to test the waters by admitting publicly (gasp!) that they write. And therein lies the beauty of the writing community. I’ve never met a community so open – so willing – to help others along the way.

The answer is not necessarily to join SCBWI. (Though I would argue that this move is infinitely beneficial in ways too numerous to count. If you write for children or young adults, join SCBWI. Do it.) There are dozens of other professional writing organizations out there. The key is to find what works for you and jump in, whether you think you’re ready or not.

Keep learning, keep growing, keep reaching out to writers you know and writers you don’t. Read works by published authors. Beta-read manuscripts for unpublished authors. Offer valuable feedback, and get feedback on your work. Writing is a lonely craft, but it doesn’t have to be a lonely life. Friends are everywhere. Just hit that ‘Follow’ button.*

Look at all those amazing writers (and readers)!

*Okay, for real, only follow writers you want to interact with. Don’t follow creepers. Don’t follow horrible people. Don’t follow people who look like they will DM you ‘hi pretty lady.’ Don’t follow bots. Don’t follow everyone for the sake of numbers. Find your people. Now go!

Life by the Numbers

What is it about humans that makes us so quick to compare every aspect of our lives to others? We obsess over the numbers—sometimes becoming unwitting slaves to what those numbers represent. From the size of our paychecks to the size of our televisions (and other things…), we’re experts at using numbers in virtually every aspect of our lives. We measure the hours, the minutes, the seconds of our day. All day. Every day. We quantify our lives based on the money we make, how many chores we’ve completed, how many miles we can run, the number of sit-ups we can do, and—as a writer—the quantity of the words we’ve written each and every day.

So, let’s take a little look at my average numbers. Writing numbers, that is. I’m not going to tell you how many carpets I may (or may not have) vacuumed, how many loads of laundry I did (or didn’t do) last month, and I’m certainly not going to tell you how many miles I can(’t) run—mostly because I don’t want to.

Plus, let’s face it. No one really cares.

In the past, my writing was mostly done in the spare minutes after I’d gotten home from work, when the evening had come to an end, and the kids were finally in bed. Writing was something I did for fun and, sure, I hoped it would lead somewhere someday, but it wasn’t really a task I took seriously.

I managed to ‘win’ NaNoWriMo in 2013 when I added 50,000 words in one month to a novel I already had a 50,000 word head-start on and that was exhilarating, but that’s the most I’ve ever written in a single month and even now, when I’m writing on a much more full-time basis, I don’t write 50,000 words in a month. If my memory serves me well, I’m pretty sure I didn’t do anything else that month that wasn’t related to writing, including cooking, cleaning, laundry, or putting children to bed. My husband stepped up and did it all that month. If I want to stay married, though, that’s probably not a good longterm strategy for writing.

My writing habits have definitely changed since I began to take writing seriously. Whereas I used to rejoice in putting any number of words on the paper on any given day, I’ve got a schedule that I (generally) stick to pretty religiously these days and it usually results in 5,000 words or more added every week. The key for me is sitting down and making the words happen no matter what. Some days, the words flow like fine wine and other days, I’m lucky if I manage to make the pages sound like they were written by my second-grader… But that’s what it takes to get a first draft done. Fine-tuning can come later.

And some days? Some days life just gets in the way. Case-in-point—I planned to spend a large portion of this weekend writing. Instead, the husband ended up with a migraine in the early hours of Saturday morning, which meant I needed to take him, kids in tow, to Urgent Care for a shot of the good stuff that magically makes migraines disappear—all before breakfast. Then, kids and I got to wait for an hour and a half (because Urgent Care was a madhouse), tired, hungry, and cranky. Half of the day was gone by the time we got home and, to be honest, I was so fatigued just from the running around (introvert much?) that I didn’t have it in me to write. I think I managed maybe 250 words that evening, but really? I didn’t even care about words at that point. So, it’s okay to throw in the towel some days, and admit that it’s just…Not. Going. To. Happen.

The key is making sure that’s not a regular occurrence in your life, and that can be tricky. The novel I’m currently working on is one I started in November of last year. Originally, I wanted to be finished with the first draft by the end of February, but sick kids, sick husband, and life in general got in the way a lot those first few months and it kept me from making the kind of progress I had hoped to make.

I picked up the pace by January, and I am on track to be finished with the first draft of this story by the end of the month. This makes me a happy writer for sure. My numbers show an average of 15,000 – 20,000 words over the last two months because I’ve been living by my own rules and getting the words written, even if some days it’s like pulling teeth to do so.

Most of the time, I don’t encourage assigning a value to the things we do. After all, it’s not what we do, but why we do it that really matters. And you don’t matter less as a writer if you write 500 words a week. (Just the same, you aren’t valued more if you’re a writer who gets 10,000 words written in a week…even if I do gaze longingly at your ability to get so many words down in such a limited time.)

Do what you do because you love to do it and it makes you happy. If the numbers make you happy, keep track of them and rejoice when you hit your milestones! (I do!) But if they don’t, turn off the wordcount feature in your file and plug away without looking. There’s no need to be a slave to living life by the numbers—now or ever!

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My current WIP progress from start to today, 3/11/18.

Writers Level Up

Have you ever stopped to think about how your favorite author got to where they are, how they wrote and published so many books, how your most loved novels ended up on your bookshelf? Probably not. Most people don’t. At least, most people who aren’t writers don’t. But for those of us who write, contemplating the path to writing success is something we do on a regular basis.

I was a writer when I wrote my first story about magic roller skates in elementary school. I was a writer when I attempted my first magical realism romance at 20 and I was a writer when I completed my first full manuscript at 32. I’m a writer now with nearly four finished manuscripts under my belt.

But if you ask me to compare myself to Stephen King or J.K. Rowling or any other published and uber-successful author, my automatic response would be instant cackling laughter. Because the steps involved in getting from my little corner of the universe to theirs is as vast as the interior of any black hole.

I once thought the stages of being a writer were like a ladder, with the newborn writer on the bottom rung and super-success stories on the top. But having been involved in the writing community for several years, I’m much more likely to turn that ladder sideways and view it as a timeline instead. After all, we’re not working against gravity. We’re just working against time. (Except for you hard sci-fi writers…you might actually be working against gravity.)

The stages of writerhood tend to go as follows:

Writer's Timeline

Newborn Writer—Realizes affinity for writing, attempts stories, dabbles in ideas.

Fledgling Writer—Has at least one finished manuscript, probably raw and unrevised, but oh-so-beautiful.

Emergent Writer—Has begun to realize the importance of community and is eager (if terrified) to get feedback on finished or in-process works.

Working Writer—In a constant state of writing something new, editing something old, and getting feedback from a much loved tribe.

Querying Writer—A working writer who has moved into querying literary agents.

Agented Writer—A writer who has gotten agent representation, but is mired in revisions before going on submission to publishing houses.

Subbing Writer—Agented writer whose work is on submission to publishing houses, but has not yet been accepted.

Accepted Writer—Agented writer whose subbed work is accepted & who has been offered a deal with a publisher.

Counting Writer—Writer who counts the days until their publication date and hops from foot to foot, eager to relay news they can’t share until their publisher has given them the green light.

Published Author—Writer whose work has been published and theoretically read by people who don’t share their home or genetics.

Working Published Author—Published writer in a constant state of writing something new, editing something old, and getting feedback from agent and much loved tribe. Also, writer who fears they will never be able to write a second book.

Multi-Published Author—Writer who has published a handful of books, has stayed the course despite the high barriers to entry and has begun to feel as though they just might ‘do this.’ Still works a day job to pay the bills.

Professional Author—Writer who has published books that have earned enough in royalties to actually constitute a salary.

Uber-Successful Author—Writer whose books have become movies, whose characters have become household names, whose pages have been read again and again. Also, writers who may seclude themselves for protection from overwhelming fanbase.

What’s most amazing to me is the willingness of writers at every stage of the game to help those who are one or two steps behind them—Working Writers who draw out Emergent and Fledgling Writers and encourage them to join critique groups; Agented Writers who cheer on Querying Writers and who offer to help revise query letters; Published Authors who help ‘push’ a Counting Writer’s work because they know the book that’s about to come out is insane and they want their readers to know about it; Multi-Published Authors who run online writing contests that offer Querying Writers a chance to have their work seen by agents. So. Much. Love.

So much love on so many levels. And that’s what makes this community worth being a part of. In the past, I’ve compared writing to video games and this model is consistent with that idea. Expect to see me tweeting #WritersLevelUp to encourage writers of all levels to keep going. If you’re dedicated, willing to work, and passionate about what you do, there’s only one person who can keep you from leveling up, and that’s you. So get involved, get passionate, and encourage others to do the same.

(And if you’re a writer on one of the further rungs on the timeline, feel free to let me know if there’s something I’ve missed. I think I covered the basics, but as a Querying Writer, my ideas of what happens next may be skewed!)