Try

Have you ever wanted something in your life so badly you can’t imagine living without it? Have you ever felt that if someone just gave you a chance, you know you could succeed?

This?

Is every writer I know. Every dreamer.

We write, we create. We make real our fantasy worlds, give breath to characters who live only in our minds until our words bring them to life. We pursue our love of storytelling, of words, of poetry, of sound – all without ever knowing what success, if any, our words will bring.

I watch writers around me succeed. (And I cheer, my friends. I cheer!)

But more often, I watch them fail. Then I watch them fail again. And again. Some shove the words away into a deep, dark drawer, never to be seen again, thoroughly convinced they aren’t “the chosen” writer or they haven’t produced “the chosen” work the world wants to see.

More often than not, they are wrong. More often than not, there are simply too many ways to stumble when it comes to publishing, and it has nothing to do with the writer at all. How many Harry Potters never made publication? No, I don’t mean how many times was Harry Potter rejected. I mean how many other stories are just as marvelous, just as fantastical, just as ready for the eager eyes of excited readers? Dozens. Hundreds, maybe. Perhaps even thousands.

Thousands of manuscripts with talented, good-hearted authors behind their fiery pages, and marvelous minds behind the creation of their worlds. But these stories may never be seen, may never be known. Because in the end, publishing is a business and business is about money.

Oh, how much art has been lost to money!

My heart weeps for the number of manuscripts I’ve known (both my own and those written by friends) that may never make an editor’s desk, and, therefore, may never see the inside of even the smallest bookstore or library.

But, writers.

Do not walk away. Failure is only failure if you stop trying. So, friends?

Try.

The world needs your words.

The Benefits of Friendship

I head one of the local SCBWI critique groups in my county for Young Adult and Middle Grade authors and, friends, I must confess I feel a little guilty. Sometimes, this group seems like the L. Ryan Storms writing self-improvement hour. I get SO. MUCH. from my dear friends and our talks about what elements make a piece work or why a certain chapter maybe doesn’t work.

Is it difficult? It can be. It was definitely more difficult in the beginning when I realized I’d never shared my work in person before. (Also, I’m an introvert. Did I ever mention that? Once or twice maybe?) But as time went on, my nervousness disappeared and I began to look forward to the feedback offered to me by these kindred spirits who shared my love of stories and all things story-related.

Our group is fairly easygoing when it comes to the rules, but the general idea is:

Share your work if you have something to share. Give useful, critical feedback on others’ work (no breaking spirits allowed). And brainstorm together when it comes to what we like about a piece, who the audience is, where we think the storyline should go, or how the author can make it better.

I have been so very lucky to know such talented, thoughtful individuals who are willing to read a chapter of my work each month and tell me all the things I need to hear. The good things. The not-so-good things. Because without them, I’d be lost when it comes to catching my crutch words and phrases, my overused actions, my annoying, sarcastic main character (who is a bit of a bitch, tbh), her tendency to overreact from time to time, and the annoying boy love interest who, honestly, isn’t mad enough at the world around him when he should be.

I digress. Without my dear SCBWI group, I’d be lost. I interact with at least a few “lost” writers on Twitter every week, those who aren’t sure if their material works, who feel like they’re embarking on this crazy journey alone, who cry and threaten to never write again, who fear they’ll never be as good as, as talented as, as successful as… (insert famous author name here).

My biggest advice to them is:

Find your people.

There’s so much more to explore in the craft when you do it together. There’s so much more to learn, to unravel, to dissect and put back together when you have a posse. Find your posse. Find your people. When you do, the possibilities open wide.

But Storms, how do I find my people?

Good question. For me, the answer was partially on Twitter, where I interacted with strangers who became friends over the course of both time and multiple in-person meetups and conferences. And the answer was also to join a professional organization like SCBWI to interact with others who were writing in the same age categories. I attended a meet-up or two, met a few members, volunteered to start my own critique group because none of the times/days of the other groups worked for me, and met even more amazing writers at all stages of the game.

Some were traditionally published, some independently published, some agented, some querying, some just beginning to test the waters by admitting publicly (gasp!) that they write. And therein lies the beauty of the writing community. I’ve never met a community so open – so willing – to help others along the way.

The answer is not necessarily to join SCBWI. (Though I would argue that this move is infinitely beneficial in ways too numerous to count. If you write for children or young adults, join SCBWI. Do it.) There are dozens of other professional writing organizations out there. The key is to find what works for you and jump in, whether you think you’re ready or not.

Keep learning, keep growing, keep reaching out to writers you know and writers you don’t. Read works by published authors. Beta-read manuscripts for unpublished authors. Offer valuable feedback, and get feedback on your work. Writing is a lonely craft, but it doesn’t have to be a lonely life. Friends are everywhere. Just hit that ‘Follow’ button.*

Look at all those amazing writers (and readers)!

*Okay, for real, only follow writers you want to interact with. Don’t follow creepers. Don’t follow horrible people. Don’t follow people who look like they will DM you ‘hi pretty lady.’ Don’t follow bots. Don’t follow everyone for the sake of numbers. Find your people. Now go!

The BIG Announcement

A few months ago, I posted about two very exciting things. The first, I elaborated in my post—I got to see my name in print in the byline of an article on the front page. The second? Well, I kept the second a secret. But it’s been long enough and I’m ready to share. Without further ado, I give you…

…my release date.

Banner for A Thousand Years to Wait

My debut Young Adult Fantasy titled A THOUSAND YEARS TO WAIT is scheduled for publication in April. That’s right. On April 30th, 2019, you’ll be able to purchase a copy of my book.

And now we squeal. Eeeeeeeeeeeeeekkkkkkk!

Stay tuned for additional teasers, including reviews, excerpts, and cover art in the coming months!


Summary for A THOUSAND YEARS TO WAIT

Prophecies are meant to unfold on their own—they can’t be forced into fruition. Or can they? When a war-torn kingdom is on the cusp of falling to a usurping general, a young healer who doesn’t believe in magic is called upon to help a prophecy transpire. She must embrace the magic…or lose the ones she loves.

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A few years ago, a good friend got me this set of greeting cards. There is no more perfect a gift than this.

A Writer in Waiting

My sink is full of dirty dishes, my dishwasher full of clean. The laundry needs to be moved to the dryer and the carpets could certainly use a vacuum. But I am a writer waiting on betas. Which means I must refresh my email exactly 12,483 times a day to see if anyone has left me feedback.

What?

Yes, I know I have a problem. And yes, going on submission is far worse. I understand.

But none of this stops me from wandering the house listlessly, contemplating my own existence.

I’ve taken up learning French. Does it help?

Non.

 

Writers Level Up

Have you ever stopped to think about how your favorite author got to where they are, how they wrote and published so many books, how your most loved novels ended up on your bookshelf? Probably not. Most people don’t. At least, most people who aren’t writers don’t. But for those of us who write, contemplating the path to writing success is something we do on a regular basis.

I was a writer when I wrote my first story about magic roller skates in elementary school. I was a writer when I attempted my first magical realism romance at 20 and I was a writer when I completed my first full manuscript at 32. I’m a writer now with nearly four finished manuscripts under my belt.

But if you ask me to compare myself to Stephen King or J.K. Rowling or any other published and uber-successful author, my automatic response would be instant cackling laughter. Because the steps involved in getting from my little corner of the universe to theirs is as vast as the interior of any black hole.

I once thought the stages of being a writer were like a ladder, with the newborn writer on the bottom rung and super-success stories on the top. But having been involved in the writing community for several years, I’m much more likely to turn that ladder sideways and view it as a timeline instead. After all, we’re not working against gravity. We’re just working against time. (Except for you hard sci-fi writers…you might actually be working against gravity.)

The stages of writerhood tend to go as follows:

Writer's Timeline

Newborn Writer—Realizes affinity for writing, attempts stories, dabbles in ideas.

Fledgling Writer—Has at least one finished manuscript, probably raw and unrevised, but oh-so-beautiful.

Emergent Writer—Has begun to realize the importance of community and is eager (if terrified) to get feedback on finished or in-process works.

Working Writer—In a constant state of writing something new, editing something old, and getting feedback from a much loved tribe.

Querying Writer—A working writer who has moved into querying literary agents.

Agented Writer—A writer who has gotten agent representation, but is mired in revisions before going on submission to publishing houses.

Subbing Writer—Agented writer whose work is on submission to publishing houses, but has not yet been accepted.

Accepted Writer—Agented writer whose subbed work is accepted & who has been offered a deal with a publisher.

Counting Writer—Writer who counts the days until their publication date and hops from foot to foot, eager to relay news they can’t share until their publisher has given them the green light.

Published Author—Writer whose work has been published and theoretically read by people who don’t share their home or genetics.

Working Published Author—Published writer in a constant state of writing something new, editing something old, and getting feedback from agent and much loved tribe. Also, writer who fears they will never be able to write a second book.

Multi-Published Author—Writer who has published a handful of books, has stayed the course despite the high barriers to entry and has begun to feel as though they just might ‘do this.’ Still works a day job to pay the bills.

Professional Author—Writer who has published books that have earned enough in royalties to actually constitute a salary.

Uber-Successful Author—Writer whose books have become movies, whose characters have become household names, whose pages have been read again and again. Also, writers who may seclude themselves for protection from overwhelming fanbase.

What’s most amazing to me is the willingness of writers at every stage of the game to help those who are one or two steps behind them—Working Writers who draw out Emergent and Fledgling Writers and encourage them to join critique groups; Agented Writers who cheer on Querying Writers and who offer to help revise query letters; Published Authors who help ‘push’ a Counting Writer’s work because they know the book that’s about to come out is insane and they want their readers to know about it; Multi-Published Authors who run online writing contests that offer Querying Writers a chance to have their work seen by agents. So. Much. Love.

So much love on so many levels. And that’s what makes this community worth being a part of. In the past, I’ve compared writing to video games and this model is consistent with that idea. Expect to see me tweeting #WritersLevelUp to encourage writers of all levels to keep going. If you’re dedicated, willing to work, and passionate about what you do, there’s only one person who can keep you from leveling up, and that’s you. So get involved, get passionate, and encourage others to do the same.

(And if you’re a writer on one of the further rungs on the timeline, feel free to let me know if there’s something I’ve missed. I think I covered the basics, but as a Querying Writer, my ideas of what happens next may be skewed!)