#8pmWritingSprint

Any artist will tell you the key to progressing in an artistic endeavor is consistency. This applies to painting, drawing, digital art, music composition, and yes, writing. Maybe especially writing.

It should come as a surprise to exactly no one that, six months ago, I was deep in a writer’s block. It wasn’t that I didn’t want to write–I really, REALLY did. Putting aside the very unexpected whirlwind that stemmed from my husband’s second cancer diagnosis in four years, I didn’t know where the story was going, I didn’t have a reliable outline, and I had zero motivation to sit down and get the words down. I was so paralyzed by my fear of taking the story in the wrong direction and disappointing readers that I basically took it in no direction.

Fast forward to November, a month when writers simultaneously delight and despair in NaNoWriMo, an attempt to get 50k words written in a single month, and I forced myself to get words written. I still didn’t know where the story was going, but I knew I could definitely bullshit my way through at least 10-20k words with random scenes that would probably find their way into the novel somewhere. So that’s what I did.

Hooray, block over!

If only.

I added 10k words to the already existing 30k I had for a grand total of–drumroll, please–40k. Or less than half the word count needed for this novel.

It wasn’t until January that I really found my motivation again. In chatting with author Margot Ryan on Twitter, who also seemed to be lacking proper motivation, we decided to sprint.

What’s that? Oh, no no! Not sprint-sprint. (I think we’ve covered this in earlier blogs. Lorraine doesn’t run. Lorraine’s joints will not allow such a thing to happen.) Anyway, I’m talking about a writing sprint. Set the timer, write as many words as you can get down in 25 minutes, take a 5-minute break, then do it all over again for another 25 minutes. Report back on Twitter each time with word count, and boom–sprint is over.

In January, I added 20k words to my novel. Yes, my 40k was now 60k. We’re a week into February, and guess what? My 60k is now 70k. I don’t know what it is about this sprint that forces my brain to work, but suddenly, plot lines are falling into place, characters are setting up perfectly for their next scenes, and everything about this book is cruising.

So apparently, my brain just needs the threat of being judged by my friends and peers. I didn’t want to report back that I’d stared at a blank screen the entire time, right??? I couldn’t possibly let everyone down by getting in only half a dozen words! That would be mortifying! I had to succeed. I had to shine. I had to win. Is this my leftover AP Honors student mentality from high school? Who knows? But it worked.

Accountability apparently really is key to my productivity. And consistency has played a big part because ever since that day, Margot Ryan and I have been running the #8pmwritingsprint every night, where writers at any stage of the game (outlining, writing, editing – whatever!) have joined us to focus on their WIPs in two 25 minute sessions. I’ve said it before and I’ll say it again. The writing community on Twitter is beyond anything I could have imagined when I first joined. I’ve met so many amazing people I’m proud to call my friends.

So if you’re in the mood to write, but you don’t know what, come sprint with us. I promise the looming threat of your peers judging you will kick your brain right into a productive session. If nothing else, we’ll be there to cheer you on! (Because no one in the #8pmwritingsprint actually judges anyone. It’s not a competition. It’s a mini-intensive. Every night.)

Community is where it’s at. And the #8pmwritingsprint has it in spades. Come join us!

The Benefits of Friendship

I head one of the local SCBWI critique groups in my county for Young Adult and Middle Grade authors and, friends, I must confess I feel a little guilty. Sometimes, this group seems like the L. Ryan Storms writing self-improvement hour. I get SO. MUCH. from my dear friends and our talks about what elements make a piece work or why a certain chapter maybe doesn’t work.

Is it difficult? It can be. It was definitely more difficult in the beginning when I realized I’d never shared my work in person before. (Also, I’m an introvert. Did I ever mention that? Once or twice maybe?) But as time went on, my nervousness disappeared and I began to look forward to the feedback offered to me by these kindred spirits who shared my love of stories and all things story-related.

Our group is fairly easygoing when it comes to the rules, but the general idea is:

Share your work if you have something to share. Give useful, critical feedback on others’ work (no breaking spirits allowed). And brainstorm together when it comes to what we like about a piece, who the audience is, where we think the storyline should go, or how the author can make it better.

I have been so very lucky to know such talented, thoughtful individuals who are willing to read a chapter of my work each month and tell me all the things I need to hear. The good things. The not-so-good things. Because without them, I’d be lost when it comes to catching my crutch words and phrases, my overused actions, my annoying, sarcastic main character (who is a bit of a bitch, tbh), her tendency to overreact from time to time, and the annoying boy love interest who, honestly, isn’t mad enough at the world around him when he should be.

I digress. Without my dear SCBWI group, I’d be lost. I interact with at least a few “lost” writers on Twitter every week, those who aren’t sure if their material works, who feel like they’re embarking on this crazy journey alone, who cry and threaten to never write again, who fear they’ll never be as good as, as talented as, as successful as… (insert famous author name here).

My biggest advice to them is:

Find your people.

There’s so much more to explore in the craft when you do it together. There’s so much more to learn, to unravel, to dissect and put back together when you have a posse. Find your posse. Find your people. When you do, the possibilities open wide.

But Storms, how do I find my people?

Good question. For me, the answer was partially on Twitter, where I interacted with strangers who became friends over the course of both time and multiple in-person meetups and conferences. And the answer was also to join a professional organization like SCBWI to interact with others who were writing in the same age categories. I attended a meet-up or two, met a few members, volunteered to start my own critique group because none of the times/days of the other groups worked for me, and met even more amazing writers at all stages of the game.

Some were traditionally published, some independently published, some agented, some querying, some just beginning to test the waters by admitting publicly (gasp!) that they write. And therein lies the beauty of the writing community. I’ve never met a community so open – so willing – to help others along the way.

The answer is not necessarily to join SCBWI. (Though I would argue that this move is infinitely beneficial in ways too numerous to count. If you write for children or young adults, join SCBWI. Do it.) There are dozens of other professional writing organizations out there. The key is to find what works for you and jump in, whether you think you’re ready or not.

Keep learning, keep growing, keep reaching out to writers you know and writers you don’t. Read works by published authors. Beta-read manuscripts for unpublished authors. Offer valuable feedback, and get feedback on your work. Writing is a lonely craft, but it doesn’t have to be a lonely life. Friends are everywhere. Just hit that ‘Follow’ button.*

Look at all those amazing writers (and readers)!

*Okay, for real, only follow writers you want to interact with. Don’t follow creepers. Don’t follow horrible people. Don’t follow people who look like they will DM you ‘hi pretty lady.’ Don’t follow bots. Don’t follow everyone for the sake of numbers. Find your people. Now go!