The Benefits of Friendship

I head one of the local SCBWI critique groups in my county for Young Adult and Middle Grade authors and, friends, I must confess I feel a little guilty. Sometimes, this group seems like the L. Ryan Storms writing self-improvement hour. I get SO. MUCH. from my dear friends and our talks about what elements make a piece work or why a certain chapter maybe doesn’t work.

Is it difficult? It can be. It was definitely more difficult in the beginning when I realized I’d never shared my work in person before. (Also, I’m an introvert. Did I ever mention that? Once or twice maybe?) But as time went on, my nervousness disappeared and I began to look forward to the feedback offered to me by these kindred spirits who shared my love of stories and all things story-related.

Our group is fairly easygoing when it comes to the rules, but the general idea is:

Share your work if you have something to share. Give useful, critical feedback on others’ work (no breaking spirits allowed). And brainstorm together when it comes to what we like about a piece, who the audience is, where we think the storyline should go, or how the author can make it better.

I have been so very lucky to know such talented, thoughtful individuals who are willing to read a chapter of my work each month and tell me all the things I need to hear. The good things. The not-so-good things. Because without them, I’d be lost when it comes to catching my crutch words and phrases, my overused actions, my annoying, sarcastic main character (who is a bit of a bitch, tbh), her tendency to overreact from time to time, and the annoying boy love interest who, honestly, isn’t mad enough at the world around him when he should be.

I digress. Without my dear SCBWI group, I’d be lost. I interact with at least a few “lost” writers on Twitter every week, those who aren’t sure if their material works, who feel like they’re embarking on this crazy journey alone, who cry and threaten to never write again, who fear they’ll never be as good as, as talented as, as successful as… (insert famous author name here).

My biggest advice to them is:

Find your people.

There’s so much more to explore in the craft when you do it together. There’s so much more to learn, to unravel, to dissect and put back together when you have a posse. Find your posse. Find your people. When you do, the possibilities open wide.

But Storms, how do I find my people?

Good question. For me, the answer was partially on Twitter, where I interacted with strangers who became friends over the course of both time and multiple in-person meetups and conferences. And the answer was also to join a professional organization like SCBWI to interact with others who were writing in the same age categories. I attended a meet-up or two, met a few members, volunteered to start my own critique group because none of the times/days of the other groups worked for me, and met even more amazing writers at all stages of the game.

Some were traditionally published, some independently published, some agented, some querying, some just beginning to test the waters by admitting publicly (gasp!) that they write. And therein lies the beauty of the writing community. I’ve never met a community so open – so willing – to help others along the way.

The answer is not necessarily to join SCBWI. (Though I would argue that this move is infinitely beneficial in ways too numerous to count. If you write for children or young adults, join SCBWI. Do it.) There are dozens of other professional writing organizations out there. The key is to find what works for you and jump in, whether you think you’re ready or not.

Keep learning, keep growing, keep reaching out to writers you know and writers you don’t. Read works by published authors. Beta-read manuscripts for unpublished authors. Offer valuable feedback, and get feedback on your work. Writing is a lonely craft, but it doesn’t have to be a lonely life. Friends are everywhere. Just hit that ‘Follow’ button.*

Look at all those amazing writers (and readers)!

*Okay, for real, only follow writers you want to interact with. Don’t follow creepers. Don’t follow horrible people. Don’t follow people who look like they will DM you ‘hi pretty lady.’ Don’t follow bots. Don’t follow everyone for the sake of numbers. Find your people. Now go!

Fledgling

Every writer knows one of the very best feelings in the world is the moment a shiny, new idea takes shape in your head, and you can’t shake it. And when that shiny, new idea involves collaborating with your 14-year-old kiddo, it’s even better.

A few months ago, my very artistic and talented daughter had to conceptualize a children’s book as a project for her Family Consumer Science class. (For us old folk, that’s 2020 speak for Home-Ec.) They were covering an early childhood development module, and she decided to create a book to help teach children their colors. Since birds come in all colors of the rainbow, she pitched a book about a bird who wanted to see a rainbow of feathers in the Amazon rainforest. She diligently crafted the proposal and even included a sketch or two. Project complete. (She received a A+, btw.)

This shiny, new idea isn’t that book.

BUT.

It *is* a picture book about a bird and a bird family. And working on it with my daughter is one of the most rewarding experiences any mother could hope to have. A combination of written word and visual art, this project is pure excitement for both of us.

In a time when teens are distant and hanging with the family is a serious faux-pas, I have the opportunity to relish my daughter’s enthusiasm for this project, and her willingness to foray (with me!) into something uncertain, into a project that may or may not come to fruition. I’m soaking in our time together and our collaborative effort to dive whole-heartedly into a creative realm we both adore. Storytelling.

Whether by word or by illustration, books make our lives more colorful, more vibrant, more worth living. They entertain and encourage. They create empathy and interest in the world around us. They enable us to learn from the time we’re in the womb straight through our very oldest years. Storytelling is a craft as old as human existence, a tradition passed down from generation to generation.

Taking part in that tradition by creating stories with my daughter and friend is a privilege I will always treasure. My young fledgling isn’t quite ready to leave the nest just yet, but I hope when she someday does she’ll think on our time together and will be reminded to always reach for those shiny, new ideas.

Stretch those wings, little bird.

Concept art for our upcoming picture book. Want to see more of younger Storms’s art? Follow her on Instagram at @dragonartist06.

The BIG Announcement

A few months ago, I posted about two very exciting things. The first, I elaborated in my post—I got to see my name in print in the byline of an article on the front page. The second? Well, I kept the second a secret. But it’s been long enough and I’m ready to share. Without further ado, I give you…

…my release date.

Banner for A Thousand Years to Wait

My debut Young Adult Fantasy titled A THOUSAND YEARS TO WAIT is scheduled for publication in April. That’s right. On April 30th, 2019, you’ll be able to purchase a copy of my book.

And now we squeal. Eeeeeeeeeeeeeekkkkkkk!

Stay tuned for additional teasers, including reviews, excerpts, and cover art in the coming months!


Summary for A THOUSAND YEARS TO WAIT

Prophecies are meant to unfold on their own—they can’t be forced into fruition. Or can they? When a war-torn kingdom is on the cusp of falling to a usurping general, a young healer who doesn’t believe in magic is called upon to help a prophecy transpire. She must embrace the magic…or lose the ones she loves.

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A few years ago, a good friend got me this set of greeting cards. There is no more perfect a gift than this.

A Writer in Waiting

My sink is full of dirty dishes, my dishwasher full of clean. The laundry needs to be moved to the dryer and the carpets could certainly use a vacuum. But I am a writer waiting on betas. Which means I must refresh my email exactly 12,483 times a day to see if anyone has left me feedback.

What?

Yes, I know I have a problem. And yes, going on submission is far worse. I understand.

But none of this stops me from wandering the house listlessly, contemplating my own existence.

I’ve taken up learning French. Does it help?

Non.

 

Slimming Down

Revision can be painful. Digging into the words you put so much effort into writing, not to mention deciding which of them need to go, can overwhelm a writer with fear. Which words do I cut? Filter words? Entire paragraphs? Scenes, even? What if cutting this particular scene is wrong? What if it changes the entire dynamic of the story?

But slimming a novel down is a healthy part of the writing process. Writing a first draft is basically loading a bunch of paint on the palette and throwing it on the canvas. You know what colors you want for this piece and you might even know the general design, but you can’t begin to imagine the more delicate intricacies until you begin refining the work. The same goes for writing. A first draft gets the basic idea of a story onto paper, but it’s hardly more than an outline, and an outline is not a masterpiece on its own.

When I write a novel, there are entire sections that need to be scrapped before I’m ready to query. Some of these sections are minor, but many (okay, most) impact the story in a major way. Like ripples in a pond, one thing affects another. So if I make one small change in chapter 2, it’s likely that I’m going to have to go through the entire manuscript to make major changes the rest of the way through.

Case in point. I changed a major character’s ethnicity a couple of months ago in a novel that was 85% drafted. I went from having a short-haired blond with green eyes to a Rihanna look-alike. That meant changing a lot of visual cues, quite a bit of dialogue that referred to body image, and rewriting entire sections of her family background.

But revision isn’t always about rewriting what’s already there. Sometimes it’s about taking out what we don’t need. I can’t tell you the amount of times I’ve written sections that weren’t needed. Sometimes these segments must be written in order for me to get familiar enough to move forward with my characters, but in the end, there’s always a lot of chopping going on! During the revision process, I erase entire chunks of dialogue and sometimes whole scenes. If a scene isn’t moving the story forward in some way, it needs to go. If it doesn’t show, in some way, shape, or form, the character’s wants and desires, cut it. If it doesn’t present a conflict for the character in some way, delete.

It’s a painful process filled with uncertainty and doubt, but it’s a necessary evil and the sooner you convince yourself that each cut is the right move, the closer you’ll be to having a refined, polished, queryable novel.

Because, seriously…no one wants to read a 186,000 word debut novel. Certainly not an agent.

You know what else is painful?

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Time to dust you off, old friend.

I made the horrible mistake of stepping on the bathroom scale today. Between the stress of spousal health issues (a cancer diagnosis adds a little stress to say the very least), running to constant doctor appointments, and driving back and forth to various kids’ activities, we’ve done a lot of running around over the last couple of months. Suffice it to say that my eating habits haven’t been the best. And to talk about eating habits, I have to talk about anxiety issues.

When I first began having issues with anxiety at twenty-one, I lost weight quickly. My stomach was upset nearly all of the time, I could hardly eat, and anything I did eat went through me pretty quickly. I easily dropped to 99 pounds, a weight I hadn’t seen since maybe freshman year in high school. Meds helped fix the issue, but throughout the years I learned to live and to cope with my anxiety without them.

I wonder now if I’m coping a little *too* well. When I’m in a situation that makes me anxious, my stomach immediately feels as though it’s about to rebel. Add in a stubborn streak and my determination to overcome anxiety, and it’s a recipe for disaster. I now view eating as a challenge, and instead of just eating a normal amount (or eating, say, decent foods), I’ll eat more junk just to spite my anxiety. Go figure.

Needless to say, a few months of this results in pounds gained. Throw in the writer’s dilemma of working while sitting on your butt all day, and the problem is easily exacerbated.

So.

Starting today, I’m going to do something about it. Losing weight can’t be much different than revising chapters, right? A little work, a lot of pain, and in the end you’ve got a better version of what you started with. (Or at least a healthier version!)

Slimming down in more ways than one! Who’s with me?