A few months ago, I posted about two very exciting things. The first, I elaborated in my post—I got to see my name in print in the byline of an article on the front page. The second? Well, I kept the second a secret. But it’s been long enough and I’m ready to share. Without further ado, I give you…
…my release date.
My debut Young Adult Fantasy titled A THOUSAND YEARS TO WAIT is scheduled for publication in April. That’s right. On April 30th, 2019, you’ll be able to purchase a copy of my book.
Stay tuned for additional teasers, including reviews, excerpts, and cover art in the coming months!
Summary for A THOUSAND YEARS TO WAIT
Prophecies are meant to unfold on their own—they can’t be forced into fruition. Or can they? When a war-torn kingdom is on the cusp of falling to a usurping general, a young healer who doesn’t believe in magic is called upon to help a prophecy transpire. She must embrace the magic…or lose the ones she loves.
A large part of succeeding as a writer boils down to your willingness to put in the time. Can you accept sitting at a desk, dreaming up worlds, typing (or scribbling) the words, and getting it done? The answer to these questions has always been a resounding yes for me, but I tend to fail when it comes to putting in the face time.
I did just that this weekend. I put in the face time and met dozens of wonderful writers and agents and editors at the Writer’s Digest Conference in NYC. It was fabulous. I participated in PitchSlam, in which authors are given one hour to pitch as many agents as they can in three-minute segments. (Truly, it’s any introvert’s nightmare.)
But you know what? While I was nervous going into my first pitch, it melted away quickly. Why? Because I discovered something as I delved into conversation with these agents. I found myself admitting something surprising. Out loud.
I love my book. I love the characters. I love the plot. I love the interactions and the quirks and the personalities. It was a fun book to write and I had fun writing it! And when you enjoy your story, I think it shows. You start to enjoy talking about it and telling people why it’s something they’ll want to read…which makes it a lot easier to pitch.
Proof? I pitched 6 agents and all 6 made requests for partial manuscripts (requested lengths varied). This may or may not result in progress moving forward, but that’s not the point. The point? When you love your work, it shows.
Writers. Friends. I have one piece of advice for you. LOVE YOUR WORK. It’s yours. You wrote it because you loved it.
My sink is full of dirty dishes, my dishwasher full of clean. The laundry needs to be moved to the dryer and the carpets could certainly use a vacuum. But I am a writer waiting on betas. Which means I must refresh my email exactly 12,483 times a day to see if anyone has left me feedback.
Yes, I know I have a problem. And yes, going on submission is far worse. I understand.
But none of this stops me from wandering the house listlessly, contemplating my own existence.
Revision can be painful. Digging into the words you put so much effort into writing, not to mention deciding which of them need to go, can overwhelm a writer with fear. Which words do I cut? Filter words? Entire paragraphs? Scenes, even? What if cutting this particular scene is wrong? What if it changes the entire dynamic of the story?
But slimming a novel down is a healthy part of the writing process. Writing a first draft is basically loading a bunch of paint on the palette and throwing it on the canvas. You know what colors you want for this piece and you might even know the general design, but you can’t begin to imagine the more delicate intricacies until you begin refining the work. The same goes for writing. A first draft gets the basic idea of a story onto paper, but it’s hardly more than an outline, and an outline is not a masterpiece on its own.
When I write a novel, there are entire sections that need to be scrapped before I’m ready to query. Some of these sections are minor, but many (okay, most) impact the story in a major way. Like ripples in a pond, one thing affects another. So if I make one small change in chapter 2, it’s likely that I’m going to have to go through the entire manuscript to make major changes the rest of the way through.
Case in point. I changed a major character’s ethnicity a couple of months ago in a novel that was 85% drafted. I went from having a short-haired blond with green eyes to a Rihanna look-alike. That meant changing a lot of visual cues, quite a bit of dialogue that referred to body image, and rewriting entire sections of her family background.
But revision isn’t always about rewriting what’s already there. Sometimes it’s about taking out what we don’t need. I can’t tell you the amount of times I’ve written sections that weren’t needed. Sometimes these segments must be written in order for me to get familiar enough to move forward with my characters, but in the end, there’s always a lot of chopping going on! During the revision process, I erase entire chunks of dialogue and sometimes whole scenes. If a scene isn’t moving the story forward in some way, it needs to go. If it doesn’t show, in some way, shape, or form, the character’s wants and desires, cut it. If it doesn’t present a conflict for the character in some way, delete.
It’s a painful process filled with uncertainty and doubt, but it’s a necessary evil and the sooner you convince yourself that each cut is the right move, the closer you’ll be to having a refined, polished, queryable novel.
Because, seriously…no one wants to read a 186,000 word debut novel. Certainly not an agent.
I made the horrible mistake of stepping on the bathroom scale today. Between the stress of spousal health issues (a cancer diagnosis adds a little stress to say the very least), running to constant doctor appointments, and driving back and forth to various kids’ activities, we’ve done a lot of running around over the last couple of months. Suffice it to say that my eating habits haven’t been the best. And to talk about eating habits, I have to talk about anxiety issues.
When I first began having issues with anxiety at twenty-one, I lost weight quickly. My stomach was upset nearly all of the time, I could hardly eat, and anything I did eat went through me pretty quickly. I easily dropped to 99 pounds, a weight I hadn’t seen since maybe freshman year in high school. Meds helped fix the issue, but throughout the years I learned to live and to cope with my anxiety without them.
I wonder now if I’m coping a little *too* well. When I’m in a situation that makes me anxious, my stomach immediately feels as though it’s about to rebel. Add in a stubborn streak and my determination to overcome anxiety, and it’s a recipe for disaster. I now view eating as a challenge, and instead of just eating a normal amount (or eating, say, decent foods), I’ll eat more junkjust to spite my anxiety. Go figure.
Needless to say, a few months of this results in pounds gained. Throw in the writer’s dilemma of working while sitting on your butt all day, and the problem is easily exacerbated.
Starting today, I’m going to do something about it. Losing weight can’t be much different than revising chapters, right? A little work, a lot of pain, and in the end you’ve got a better version of what you started with. (Or at least a healthier version!)
Slimming down in more ways than one! Who’s with me?