WRiTECLUB DFW

I love writing. I love writing contests. I do NOT love submitting to contests in person or having everyone know what I wrote when I may have just written it. (Give me a few rounds of edits and some critique partners and beta-readers first, please and thank you.)

If this also sounds like you, then I’ve found the perfect writing contest for you because it’s—

COMPLETELY ANONYMOUS!

Woohoo! That means you can submit a 500 word sample of your writing under a pen name to be judged. If your work gets chosen by the slush pile judges (like moi!), it will be pitted against 29 other writers & their works.

In the end, only one can win.

No wait, that’s not right. There’s more to it than that. In fact, there are lots of winners. Just check out DL Hammons’s list of prizes to be won. Only one writer wins free admission to the 2020 DFW Conference in Dallas, but there are plenty of other prizes and where else can you get free feedback on your work?

Seriously. If you’re a writer who likes anonymity, this is the contest for you. So, what are you waiting for? Send that email to WRiTECLUB2019@gmail.com. We’re waiting to see your work!

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Here’s a sample of how your submission should be formatted. Don’t worry, the judges WON’T see your real name or email. (That’s removed long before we view your work!)

Want to learn more? Check out the full rules and all the additional information here.

A Thousand Years to Wait Cover Reveal

It’s here! It’s here! It’s finally here!

One of the most highly anticipated moments in any author’s journey is getting to see their cover art. My story is no different. I’ve been anxiously awaiting this beauty for months and I am not disappointed.

So without further ado, I present to you…my cover.

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Like what you see? Me, too! I love, love, love it! A huge THANK YOU to my cover artist, Jess Bieber!

Now, squeal with me! Eeeeeeiiiiieeee! Stay tuned for info on when you can preorder a copy and promotional giveaways. I’ve got tons of fun stuff coming up soon.

Indie Author Storms

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I’m no Indiana Jones.

Maybe it doesn’t quite have the ring of Indiana Jones, but I think Indie Author Storms has a nice sound to it. So why did I decide to go indie and what’s next?

I’ve been writing seriously for seven years, querying for four, and have four completed manuscripts—some of them with quite wonderful feedback from agents and editors. And until the last year, I really wanted to take the traditional route to publishing.

So what changed?

Cancer.

Cancer is one hell of an eye-opener. And when my husband was diagnosed in April of 2017, it didn’t just change the rules; it changed the entire game. He’s doing well now—a year and a half cancer-free. There’s not a day that goes by that we don’t celebrate this. (Insert happy dance emoji right here!)

But his diagnosis wasn’t all.

At the beginning of my foray into Writer Twitter, I made friends with a wonderful professor and writer who had been diagnosed with stage 4 cancer. She documented her journey in life, and through diagnosis, and I had the pleasure of beta-reading for her about a year and a half ago. As with most interactions on social media, we dipped in and out of each other’s profiles here and there, commenting and leaving digital hearts in our wake. I learned only recently that she passed away in June.

 

Before she succumbed to the terrible disease, she followed her dream and published Blooming Out of Darkness: A Memoir about Cancer, Spirits, and Joy. The book, which sits on the bookshelf beside my piano, is a stark reminder each and every day—a reminder that we don’t always have the time we think we have. Between Alicia’s story and my husband’s ordeal over the last year, I’ve decided that it’s time to take the next step in the journey to authorhood. 

There’s a beautiful change in perception that occurs when you reach your forties. (Okay, I’m not quite there, but I’ve got less than a year, so…) You begin to care less about what other people think or what other people would do in any given situation, and so much more about what you feel and how you can be good to yourself.

Indie authorhood is me being good to myself. I’m ready to have the fun, to release a book baby into the world, to take the next step and grow as an author. A Thousand Years to Wait is my gift to the world, yes. But it’s also a gift to me. And I hope we can enjoy it together.


A Thousand Years to Wait will be released on April 30th, 2019. You can add A Thousand Years to Wait to your Goodreads list here. Check back for excerpts, teasers, a cover reveal, and more! I’ll be updating regularly over the next six months.

The BIG Announcement

A few months ago, I posted about two very exciting things. The first, I elaborated in my post—I got to see my name in print in the byline of an article on the front page. The second? Well, I kept the second a secret. But it’s been long enough and I’m ready to share. Without further ado, I give you…

…my release date.

Banner for A Thousand Years to Wait

My debut Young Adult Fantasy titled A THOUSAND YEARS TO WAIT is scheduled for publication in April. That’s right. On April 30th, 2019, you’ll be able to purchase a copy of my book.

And now we squeal. Eeeeeeeeeeeeeekkkkkkk!

Stay tuned for additional teasers, including reviews, excerpts, and cover art in the coming months!


Summary for A THOUSAND YEARS TO WAIT

Prophecies are meant to unfold on their own—they can’t be forced into fruition. Or can they? When a war-torn kingdom is on the cusp of falling to a usurping general, a young healer who doesn’t believe in magic is called upon to help a prophecy transpire. She must embrace the magic…or lose the ones she loves.

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A few years ago, a good friend got me this set of greeting cards. There is no more perfect a gift than this.

Writers Level Up

Have you ever stopped to think about how your favorite author got to where they are, how they wrote and published so many books, how your most loved novels ended up on your bookshelf? Probably not. Most people don’t. At least, most people who aren’t writers don’t. But for those of us who write, contemplating the path to writing success is something we do on a regular basis.

I was a writer when I wrote my first story about magic roller skates in elementary school. I was a writer when I attempted my first magical realism romance at 20 and I was a writer when I completed my first full manuscript at 32. I’m a writer now with nearly four finished manuscripts under my belt.

But if you ask me to compare myself to Stephen King or J.K. Rowling or any other published and uber-successful author, my automatic response would be instant cackling laughter. Because the steps involved in getting from my little corner of the universe to theirs is as vast as the interior of any black hole.

I once thought the stages of being a writer were like a ladder, with the newborn writer on the bottom rung and super-success stories on the top. But having been involved in the writing community for several years, I’m much more likely to turn that ladder sideways and view it as a timeline instead. After all, we’re not working against gravity. We’re just working against time. (Except for you hard sci-fi writers…you might actually be working against gravity.)

The stages of writerhood tend to go as follows:

Writer's Timeline

Newborn Writer—Realizes affinity for writing, attempts stories, dabbles in ideas.

Fledgling Writer—Has at least one finished manuscript, probably raw and unrevised, but oh-so-beautiful.

Emergent Writer—Has begun to realize the importance of community and is eager (if terrified) to get feedback on finished or in-process works.

Working Writer—In a constant state of writing something new, editing something old, and getting feedback from a much loved tribe.

Querying Writer—A working writer who has moved into querying literary agents.

Agented Writer—A writer who has gotten agent representation, but is mired in revisions before going on submission to publishing houses.

Subbing Writer—Agented writer whose work is on submission to publishing houses, but has not yet been accepted.

Accepted Writer—Agented writer whose subbed work is accepted & who has been offered a deal with a publisher.

Counting Writer—Writer who counts the days until their publication date and hops from foot to foot, eager to relay news they can’t share until their publisher has given them the green light.

Published Author—Writer whose work has been published and theoretically read by people who don’t share their home or genetics.

Working Published Author—Published writer in a constant state of writing something new, editing something old, and getting feedback from agent and much loved tribe. Also, writer who fears they will never be able to write a second book.

Multi-Published Author—Writer who has published a handful of books, has stayed the course despite the high barriers to entry and has begun to feel as though they just might ‘do this.’ Still works a day job to pay the bills.

Professional Author—Writer who has published books that have earned enough in royalties to actually constitute a salary.

Uber-Successful Author—Writer whose books have become movies, whose characters have become household names, whose pages have been read again and again. Also, writers who may seclude themselves for protection from overwhelming fanbase.

What’s most amazing to me is the willingness of writers at every stage of the game to help those who are one or two steps behind them—Working Writers who draw out Emergent and Fledgling Writers and encourage them to join critique groups; Agented Writers who cheer on Querying Writers and who offer to help revise query letters; Published Authors who help ‘push’ a Counting Writer’s work because they know the book that’s about to come out is insane and they want their readers to know about it; Multi-Published Authors who run online writing contests that offer Querying Writers a chance to have their work seen by agents. So. Much. Love.

So much love on so many levels. And that’s what makes this community worth being a part of. In the past, I’ve compared writing to video games and this model is consistent with that idea. Expect to see me tweeting #WritersLevelUp to encourage writers of all levels to keep going. If you’re dedicated, willing to work, and passionate about what you do, there’s only one person who can keep you from leveling up, and that’s you. So get involved, get passionate, and encourage others to do the same.

(And if you’re a writer on one of the further rungs on the timeline, feel free to let me know if there’s something I’ve missed. I think I covered the basics, but as a Querying Writer, my ideas of what happens next may be skewed!)

Who’s Who?

I follow an eclectic mix of people on Twitter, but by far my Twitter feed skews toward the literary. From querying writers to veteran authors to agents to editors, I tend to follow it all. And in my honest opinion, if you’re not following these folks, you’re missing out!

(I think I’ll need to make this a semi-regular segment in my blog, so if you haven’t made this list, don’t worry. I’ll have lots more to share in the future!)

In no particular order:

Michelle Hauck (@Michelle4Laughs)—For up to date information on amazing writing contests, Michelle is one to follow. She’s a smart and fun-to-follow author who writes SFF and gives back to the writing community in abundance! Also, don’t miss her blog!


Dr. Uwe Stender (@UweStenderPhD)—Not all literary agents are created equal. In my years of stalking…er…following literary agents on Twitter for the sole purpose of gaining industry knowledge, I have found that some agents are quick to provide a helping hand to those who are just starting on their journeys. I highly recommend following Uwe Stender. Why? Because his literary advice is real and good and his #askagent sessions are the best. (Bonus: His nutcase files can’t be beat!)


Lakshmi (@Lakshgiri)—Because her writing is lyrical and moving and her cooking photos make my mouth water, Lakshmi gets two thumbs up in my book. Her blog is filled with poignant stories about parenting and motherhood, and her open adoption story is unlike any I’ve known. She faces parenting challenges with grace and her raw, emotional writing resonates.


Chuck Wendig (@ChuckWendig) & Sam Sykes (@SamSykesSwears)—These guys are a 2-for-1. Why? Because of interactions like this (read this aaalllllllll the way through):

They’ll provide your daily dose of crazy with a side of smiles. Follow them. (And maybe Sam will release another hostage.)


A.S.H (@MizWrlter)—Because I agree with everything she posts and she’s basically my spirit animal even if we’ve never met. Dogs and cats and posts about writing. Wait. Maybe she’s actually *me* in another dimension.


Katie Mack (@AstroKatie) – Because you need a dose of astrophysics & feminism. Bonus: She pipes up in occasional bouts with Chuck & Sam, making my day, week, and even month. And it’s really fun to watch her stop mansplaining in its tracks. Even J.K. Rowling agrees.


Who are your Twitter favorites? Give them a holler in the comments section so I can show them some love with a follow!

Querying (Part II)

After a year and a half of constant rejection, I finally revised my first query into something a little more focused. It’s not quite as rambling as my first and it seems like maybe I knew a little bit more about what was going with my own book on at this point.

Dear (Agent),

I viewed your recent manuscript wish list requests via manuscriptwishlist.com, and I hope to interest you in The Tarrowburn Prophecies, a 95,000-word fantasy novel featuring a mystery of otherworldly proportions and an independent female protagonist with the power to solve it.

Moreina di Bianco is a small town village healer and nothing more…or at least that’s what she’d like to believe, but visions that plague only her serve to remind her on a regular basis that she’ll always be different.  Despite her second sight, Reina is one of the few citizens in the kingdom of Castilles who doesn’t believe in the thousand-year-old White Sorceress Prophecy.  How could a talisman and a lone woman save the kingdom from the war that has raged on for four long years, a war that looks ever more desperate with each passing day?  So, when ironically unforeseen circumstances declare Reina the White Sorceress with the ability to rescue the kingdom from the grasp of a power-hungry General, she’s forced to accept the truth within the prophecy’s words and must take fate into her own hands.

Reluctant to accept help, Reina’s only company on her journey is her estranged and mysterious childhood friend, Quinn D’Arturio, and a dashing captain who claims to be her protector. There’s just one problem with her new companions.  They, too, are featured in the prophecy.  But what woman wants a suitor, let alone two, when she’s faced with ending a war, finding the true king, and rightfully seating him on the throne?

I have an undergraduate degree in Marine Science and a Master’s in Business Administration, but writing has long been my true passion.  After eight years in the pharmaceutical industry, I moved into the world of animal welfare where I currently work as a nonprofit marketing director for Humane Pennsylvania.  I do plenty of writing in this role, but none of it fiction.  In my opinion, the only thing better than snuggling puppies and kittens is writing fiction, and I endeavor to make it my lifelong career.  Additionally, I currently write part-time as a freelance writer for blogmutt.com and writeraccess.com.  The Tarrowburn Prophecies is my second novel, but the first I’ve written with the intention of doing something other than stashing in a desk drawer.  Please note that the full manuscript is currently under review with another agent who understands that I have continued querying while she reviews.  At your request, a synopsis and the first 50 pages can be found below (in a larger font for hopefully easier-on-the-eyes reading).  Thank you for your time, and I look forward to hearing from you soon.

Sincerely,

L. Ryan Storms

 

Guess what? This query is still pretty wild and it’s way too long—this time over 400 words! You probably noticed that I did a little work on the manuscript since the last version. (My word count is about 4k higher than the last query as a result of the first time an agent gave me feedback!)

First off, in this version, I started with the reason why I contacted this particular agent and it’s okay. Nothing flashy here (notice no comments on personal appearances). It’ll do the job, but now I find I usually like to give a little more detail in this paragraph, like the fact that the agent and I share a love of Outlander or that this agent just mentioned on Twitter that she was looking for kick-ass heroines and alternate world settings. Something along those lines.jamie-fraser-picture-outlander

The hook is still too long and too “un-hooky.” (Sure, that’s a word.) I still ramble a little, albeit not quite as much as before. After nearly two years of querying, I still hadn’t figured out the heart of my book and how to present it! (More on this in an upcoming post.)

The worst part of this query, though, is the fact that I’ve made my bio nearly as long as the two preceding paragraphs about the book itself! Typically, you want your query to contain a sentence or two about you, but this is definitely more important if you have publishing credits to share. No one cares what my degrees are in, where I previously worked, that I liked snuggling kittens and puppies, or that I wrote another manuscript and don’t want anyone to ever see it. This information is completely irrelevant. (Okay, most of it is completely irrelevant. Degrees are good, but they don’t determine your success as a writer.) Also, notice I still haven’t used caps when mentioning the title of my work.

My thought at the time I was using this query was that agents were interested in knowing who they would be working with just as much as as they were interested in knowing what the book was about. Wrong. Yes, of course they want to know who they will potentially be working with, but at this stage of the game, they don’t care. That’s for future emails and phone calls to determine. Right now, the only important information they need to know is the premise of your story. And if you can’t manage to sum that up in the neat, little package of your query, they’ll have to pass.

So, work that hook!

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(No, not that Hook! Although…)

On Work and Effort

I’ll admit that I’ve been slacking a bit when it comes to blogging (for the obvious reasons), but as I’ve scrolled through my Twitter feed, I’ve seen a lot of my writer friends elated either because they are about to send out their very first query letter or because they’ve received their very first rejection letter!

I vaguely remember that excitement. The feeling of being a “real” writer on a legitimate path to publishing my beloved work. How would my story unfold? Would my offer of representation from an agent come after one query? Ten? A hundred? What if I had multiple offers? How would I choose?

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Oh, how funny I am! How naive. How cute and hopeful. The book I began querying nearly three years ago recently received its 85th rejection. To be fair, at least 30 of those rejections were really me trying to figure out how to heck to query an agent—what works, and what doesn’t. It should come as no surprise that for the entire first year that I queried, I didn’t get a single agent request for either a full or partial manuscript read.

My first full manuscript request didn’t come until after nearly two years of querying. To say I was elated would be putting things mildly. I shook with excitement. (Literally.) Needless to say, that agent didn’t offer representation, but what she did offer me was hope. What had previously seemed a futile attempt at baring my soul to no one who seemed to want to listen now suddenly seemed a legitimate line of communication. I had been sending out emails, but getting no responses for so long that I might as well have been using a megaphone to announce my intent to an empty parking lot. Getting that first request for a full read meant that someone out there had not only heard me, but was willing to having a conversation.

It’s been a year and a half since that first request, and since then I’ve received 3 more full requests and 2 partials on a manuscript that has continuously morphed into a deeper story than the one I originally wrote. That couldn’t have happened without accepting and embracing the feedback I received from each of those agents. So even though I’ve received 85 “no thanks” emails (or worse—cringe—no responses at all), I’ve got a stronger story and a better query letter than I had when I first began my journey.

Why mention all of this? Because I want my newly querying writer friends to remember not to be discouraged after they receive their 15th rejection and to keep going even after they receive their 50th. No one writer’s journey is the same as another, and the only way to be certain you won’t succeed is to stop trying.

Never stop trying.

The Labor of Love

I won’t lie. When I first began writing with the intention of finishing and someday publishing a novel (or fifteen), I didn’t have the first clue as to what kinds of water I was dipping my toes into. (Hint: Deep, dark, swift moving, filled with odd creatures who will take a bite out of you, and possibly even waters inhabited at times by the devil himself. I’m not making this up.) And when I speak with my non-writer friends now, it’s clear that they, too, have zero understanding of the publishing process.

It’s kind of funny, really, when non-writers ask me, “Oh, so you wrote a book? When can I read it? When will it be published? I’d love to quit my job and just write a book.” Most of them don’t realize what they’ve just done. They can’t yet grasp that they’ve engaged a madwoman on her most passionate topic. It’s like inviting a Jehovah’s Witness into your house to discuss God. Because I don’t fool around when I start talking about the writing—editing—submission—rejection—revision process.

And so the lesson begins.

Every book starts with an idea. Maybe it’s something that popped up as you’re drifting off to sleep or shampooing your hair in the shower. Or, maybe it was an idea you’ve had since childhood, one you’ve been contemplating writing about for years. Regardless of how an idea reveals itself, for me, it takes time to marinate in my brain before I can begin to write it down.

Award-winning fantasy writer Brandon Sanderson says that there are two kinds of writers—outliners and discovery writers. I most certainly belong to the former camp. Though I’m not the kind of writer who considers an outline the “Holy Grail” of writing, there are some writers who do. Me? I’m more of a write-a-loose-outline-chapter-by-chapter, highlight-the-major-events-that-need-to-take-place, then-bail-on-the-outline-about-a-quarter-of-the-way-through-when-another-great-plot-line-occurs-to-me kind of writer. Either way, the point is, an outline is a tool that helps to keep the story moving forward. Never mind the fact that I’ll write two more outlines before I get anywhere.

After the outline, depending on the topic of the book, there’s a lot of research to be done. Some of that can be beforehand, some of it is done as I go, and the rest of it falls into the category of [BLAH BLAH – FILL IN MORE HERE LATER – DETAILS!].  More professional writers will use [TK], meaning ‘to come,” but I’m just not that distinguished. I prefer sticking with the BLAH BLAH technique.

And don’t forget the mental block, also known as the dreaded writer’s block. That’s fun and always exceptionally unexpected. And once I step away from the keyboard, there’s no guarantee that I’ll be back any time soon… So for me, it’s critical to ignore writer’s block and just keep writing even if I scrap 90% of what I end up adding to the document. The odds are as long as I keep on writing, I’ll eventually write myself out of the block, but if I stop…well, I’m likely to easily lose a few months.

So, supposing all of this produces a finished novel, there’s also the revision process. That means going back, revising, refining, and hacking away until your raw treasure is a highly polished gem that’s acceptable to submit to an agent. But before you even submit to an agent, you’ve got to make sure you’ve got something worth submitting, and that requires beta readers – friends and family, and maybe even an online stranger or two, who will read your work and give you solid, honest feedback (no matter how much it hurts).

And, oh…an agent.

Somewhere around the time of your 5th draft or so (okay, maybe your 3rd if you’re really good), you can begin to query an agent. Since I began following dozens of agents on Twitter, I’ve started to feel really good about my query letter… If you’re unfamiliar with what a query is, there are hundreds of websites that show you how to effectively query an agent.

And there’s great advice from agents on how not to query an agent, too.  Like this beauty:

Or this one.

(Really, following Dr. Stender on Twitter has become kind of a recent hobby for me… But don’t give him all your attention. There are lots of other agents with great advice, too! Eric Smith is another good one.)

The best part (ahem…cough, cough…) about querying is compiling a list of agents who are looking for manuscripts like yours. I make a ridiculously overcomplicated spreadsheet that includes all sorts of info I don’t need, and I color code as I query. Yellow for queries waiting on a reply (including the date and the type of materials submitted), red for queries that have been rejected, and green for queries in which a full or partial manuscript has been requested, and let me just be honest and tell you that there’s a lot of red on my screen. When I open that file these days, it looks as though I’ve just murdered a small mammal. The problem with my green lines, of course, is that so far they haven’t stayed green, which means that I’ve gotten rejections even after a full manuscript read. But I’ve always gotten good feedback and I revise, revise, revise until I’m ready to submit again.

The most difficult part by far is the willingness to put yourself out there, get rejected again and again, and still remain confident in your ability. The key is to remember that agents are highly subjective and just because they turned down your work doesn’t mean they think it sucks. It just means they aren’t looking to represent that particular piece at that point in time. (Maybe they’re already representing a similar work, perhaps the story was too close to something else they know of, or maybe they just signed another author with a story that meets what they were looking for.) I like to give the ‘needle in a haystack’ analogy, only the hay is on fire and you just have to hope you find the needle in time. If you want to know just how tough querying is, check out a great guest blog by Shannon Parker about an insider’s perspective on rejection.

So if you nab an agent, and that’s a big if, it’s time to pop the champagne, right?  Well…

Though it might feel a bit like winning an NFL championship, signing with a literary agent is really only the first step in a marathon run. Okay, maybe it’s the first mile marker in a marathon. (The first step was writing the book.) Your agent is probably going to request a revision or two before going on to submit your work to editors at publishing companies. And guess what?

That means now your agent is querying for you. Oh yeah, querying again. So, get ready to be rejected again. And if you get accepted – yay! That means you’re on your way to an actual published book deal…after more edits…and galleys…and edits…

And what then? Promotion, promotion, promotion!

Then.

Take those years of soul-crushing disappointment that you put into your first book, and use them as fuel to start a second, a third, and a fifteenth book. Oh, and be prepared to put in what amounts to years and years of work without getting paid a single dime because that’s how writers (and agents) roll.

So, tell me again how you’d like to “quit your job and just write a book.” The fact is, writing isn’t for the faint of heart and it isn’t glamorous. It’s work. Real, tangible, difficult and often unpaid work, but if you’re lucky and you’re persistent, you might just be able to succeed at making a career of it.

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P.S. Writing is also *really* hard when you’ve got a 40-lb. lap dog.